Andre was originally going to come Upper Royal Manor with Alina, but thinking about all these things between him and Chester now, in the end, Alina did not let Andre go in with her.
The lofty castle, so luxurious, like Chester himself, gives a very grand and atmospheric feeling.
When the butler saw Alina, his face showed embarrassment.
"What?" Alina said, going in to take the child away, yet the butler was embarrassed to have the manservant block her way in.
In an instant, a sharp, icy coldness flashed under Alina's eyes.
The butler said apprehensively, "When he knew that Penny were coming over, Master Chester had someone fetch her here immediately and said that no one would be allowed to see her."
Speaking again, the danger in her tone was even more overwhelming at the moment, "I am the mother of the child."
"I was asked to pass on a message to you that when you come, you will be told, you will not be the mother of the child afterwards."
Alina, "..."
The world, for a moment, collapsed.
"What did you say?"
The butler, "It is Master Chester's wish that you should leave the place and not seek to come here in future."
Alina, "Heh, what does he mean?"
Alina's heart was heaving and the butler looked into her eyes, which already had an angry look in them, and his eyes became stern.
He said, "Master Chester's mother has just passed away."
Even though the latter words were not spoken, the people around Chester knew that this was the result of Alina's trouble.
In the blink of an eye.
It was as if all the people were accusing Alina of doing wrong, no matter what she had once done, yet Vanessa was Chester's mother.
So, even if Vanessa had killed her parents and her grandmother, Alina would have had to forget it.
"What if I, right now, must go in?" Alina's attitude hardened at this moment.
That, presumably, is human nature, isn't it?
When you find out that things are not the way you want them to be and that everything is not in conflict, you will still reflect on it and constantly torture yourself as to whether you did something wrong.
But when the tough confrontation comes together, then it becomes a sharp rhetorical question.
Asking rhetorically, why did you make a scene, asking rhetorically if you can really let go of what you had suffered?
The answer, when it comes to toughness, is never.
No matter what kind of shame and pain Alina's heart felt towards Chester before she came, but when the people around him were now fighting against her, thinking she was the sinner who made Chester lose his mother, then she must ask in return, who was the sinner who made her lose her families?
The toughness in her eyes was as sharp as it had ever been at the moment.
And the butler froze for a moment at the sight of this tough sharpness, "Miss Hughes."
"Today, I must take the child away." Without waiting for the butler to finish, Alina interrupted in a stern voice, and in her tone was an unprecedented ice coldness.
Butler, "I'm afraid that won't do."
Both sides were tough.
Just as the two were confronting each other, the black phantom drove in from outside, and when the butler saw the car, he paid no more attention to Alina, but respectfully rushed to welcome the person.
Alina wanted to take the opportunity to go in, yet the two male servants were strong and unmoved as they stood in front of her.
Behind her, came the respectful voice of the butler, "You're back."
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