Chapter 110
Maya’s POV
I did not move for three seconds.
The Bentley was already turning toward the exit ramp, its tail lights steady and unhurried, the departure of someone who had said exactly what they intended to say and had no need to hear the response.
I stepped forward.
“Wait”
My voice carried in the car park’s concrete quiet.
The Bentley stopped.
The window came down.
He looked at me with the expression I had catalogued in the previous five minutes….
I crossed the space between us
Stopped at a distance that was close enough for a conversation and far enough to make no commitments.
“What did you mean?” I said. My voice was the firm one…. not aggressive, simply not negotiable. “About my father.”
He looked at me.
“I meant exactly what I said.” His voice was the same unhurried warmth it had been throughout. “You carry yourself the way he did. The assessment before the response. The specific stillness before you decide to trust something”
“You knew him personally.”
“For some years, yes.”
I looked at him.
At the face that carried none of the tells I had learned to read……. no performance of openness, no managed transparency, no visible calculation. The specific, settled quality of someone who had decided a long time ago how they were going to be in a room and had stopped needing to think about it.
“Tell me what you know,” I said.
He smiled..,
Not warmly. Not coldly.
The smile of someone who had anticipated this request precisely.
“Dinner,” he said. “Tonight. Not because I’m attaching conditions for the pleasure of it, because what I have to tell you requires time and context, and a car park in a basement is neither.” He held my gaze. “You can choose not to come. That’s entirely your decision. But I think you’ve been looking for what I know for longer than you’ve admitted to yourself.”
I studied him.
1/4
Chapter 40
+25 Bonus
The car park camera’s red light blinked in my peripheral vision
Every instinct I had trained over eight weeks of managing threats and reading rooms and building a company from the rubble of a marriage was running simultaneously….
He was not Mason….
He was not a contractor or a operative or a character from the playbook I had developed for the past several months.
He was something else, someone who existed outside the current war, who had come in from a different direction, who was carrying information that predated all of it.
He knew my father’s face…..
He knew how I stood in a room.
He had parked in my space deliberately
I looked at the exit ramp behind the Bentley.
Then at the man in the car.
“Where?” I said.
He named a restaurant on the harbour…. private dining, the kind that existed for conversations requiring discretion rather than ambiance. He named a time: seven-thirty.
“Your name,” I said.
He looked at me for a moment
“You can call me Vincent,” he said.
Not my name is Vincent. You can call me Vincent. The distinction was precise and communicated exactly what it intended to.
“I’ll be there,” I said.
He nodded once, the nod of someone who had expected this conclusion and was satisfied with its arrival time.
The window went up
The Bentley moved.
My space was clear
I sat in my car for three minutes before starting the engine.
Ran it forward
The car park had known me for the past two months….. the same reserved space, the same entry time, the same exit route. A thousand variables of my routine that anyone with access to the building’s records could confirm.
He had accessed one of them
Which told me he had the access, or had someone with the access, or the access was given to him by someone inside the situation.
2/4
Charter an
+25 8enus
All three possibilities required knowing who he was before I sat across from him at seven-thirty
I sent Carter a message: New contact. Car park. Dark green Bentley, private plate, building exit approximately 6 minutes ago. Name given: Vincent. Confirms knowing Edwin Hargrove personally. Run everything
His reply came in forty seconds: On it. Don’t go alone tonight.
I looked at the message.
Don’t go alone was advice I understood and was going to have to weigh against the fact that arriving with someone changed the dynamic in a way that might close the door I needed open.
I put the car in gear
Drove home.
The private road was quiet at the end of the afternoon….
I pulled up and stopped.
Sat for a moment with the engine idling.
The house looked exactly as it always looked, the security light, the front entrance, the trees at the edge of the garden going amber in the late afternoon.
Something was on the doorstep.
Not a parcel, not the standard delivery positioned to one side of the door. Something placed centrally, with the deliberate positioning of something that was meant to be seen rather than simply received.
A flat box. Dark. No markings on the visible surface.
I looked at it through the windscreen.
Thought about the black box on my office desk. The dead bird. The note that had said enjoy it while it lasts.
Then I thought about Calloway. About the sealed folder that had been taken and the single page returned. About the envelope on my chair.
About the pattern of things being placed where I would find them by people who wanted me to receive specific information at specific moments
Not all of them threats.
Some of them warnings
Some of them something else….
I turned off the engine.
Got out.
Walked to the doorstep.
Stopped
Looked at the box.
Looked at the driveway, the gate, the garden in the late afternoon light.
3/4
Crouched….
+25 Bonus
The box was sealed with a single strip of tape. No name on the top. On the side, in handwriting I had seen before….. precise, careful, the hand of someone who chose every word deliberately:
For when you’re ready. Your father asked me to make sure this reached you if the first one was taken.
Calloway’s handwriting….
I sat back on my heels.
The first one.
The file that had been stolen from my office drawer.
This was the second.
He had kept a copy.
I picked it up.
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Ruby Walker is a rising voice in the world of romance and spicy fiction. With a gift for weaving deep emotions, sizzling chemistry, and unexpected twists, her stories are a blend of passion and drama that captivate readers from start to finish. Ruby’s writing style is bold and irresistible—perfect for those who crave intense, addictive love stories.

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