Chapter 119
Maya’s POV
The afternoon had found its rhythm.
Catherine with the venue photographs spread across the table, Olive with her notebook open to a page dense with suggestions, the two of them moving through options with the specific, warm efficiency of people who had been waiting for this task and were now fully in it.
I sat between them and answered questions and looked at photographs and held fabric samples against the light when asked, and tried to keep my attention from running the parallel tracks it had been running since we arrived…
The investigation. Victor Ashworth. Carter’s latest update, unread since this morning. The box from Calloway, still unopened on the desk at the house. 1
Peonies. Round tables. East-facing light…
Both tracks running simultaneously.
Alex came back from the hallway at four-fifteen.
He set his phone on the table and looked at the room…. the fabric samples, the photographs, his mother and Olive mid-discussion about catering formats, me in the middle of it with a sample of ivory linen in my hand.
He sat down.
Waited for a pause in the conversation.
“One week,” he said.
The room stopped.
Not dramatically…. the specific, complete arrest of a group of people who have all heard the same unexpected thing simultaneously and are processing whether they heard it correctly.
Catherine looked at him
“From today,” he said. His voice was the level one…. not impulsive, not uncertain. The voice of someone who had been thinking about something for a while and had made a decision.
Olive’s expression moved through surprise to something that was trying very hard not to be excitement and was failing.
Catherine said: “Alex….”
“I know it’s fast,” he said. “I know there’s a great deal to arrange. But it can be done, and I think it should be.” He looked at his mother. “You’ve been planning this in your head for years. Some version of it is already complete. We just need to execute it.”
Catherine sat back
Looked at the table.
Then looked at me.
I put the linen sample down.
1/4
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“Excuse us,” I said to Catherine and Olive.
The garden was cold.
Not unpleasantly…. the specific, clear cold of a late afternoon that hadn’t decided whether to tip into evening yet. I walked to the stone bench at the far end of the path and sat and waited for Alex to reach me.
He sat beside me…
“One week,” I said.
“Yes.”
“That’s….. Alex, a wedding requires……”
“My mother has a venue relationship, a florist, a caterer, and a guest list that can be executed in three days if necessary.” He held my gaze. “She’s been building toward this moment longer than either of us has been building toward each other. The logistics are manageable.”
“This isn’t about logistics.”
“I know”
I looked at the garden.
The last of the afternoon light was moving through the trees at the property’s edge in the specific, amber quality of an October day deciding to end.
“Tell me why,” I said. “The real reason.”
He was quiet for a moment.
“Zara is in the city,” he said. “My father is making calls. Mason is still looking for leverage. The investigation into your father is approaching the point where people are going to start noticing that you’re looking.” He paused.” Every week we wait is another week for someone to find the angle that creates enough doubt that you pull back.”
I looked at him….
“And you think a wedding fixes that?”
“I think a wedding closes certain doors,” he said. “It’s not a fix. It’s a position….. Once we’re married, the narrative changes. The story isn’t will she, won’t she anymore. The story is done.” He held my gaze. “Richard can’t use uncertainty as leverage. Zara has nothing to insert herself into…..”
1
I pressed my hand to my knee
“You’re describing a marriage as a legal strategy,” I said,
“I’m describing it as what it is….. a commitment I want to make that also happens to have strategic advantages in the current situation.” He said it directly. “Both things are true at the same time. I’m not going to pretend the strategy isn’t there. But the strategy isn’t why I want to marry you.”
I looked at him
At the face that had eleven words written on a page some years before they were possible.
“I’m pregnant,” I said. “I had a medical episode two days ago. I’m in the middle of an investigation that may connect your father to my father’s death.” I paused. “You’re suggesting I plan a wedding in seven days.”
2/4
+25 Benus
“I’m suggesting we get married in seven days,” he said. “The wedding can be simple. The marriage is the part that matters. And it’s what really matters…”
I looked at the garden.
“What if I’m not ready?” I said.
He was quiet
“What does ready mean?” he said. Not defensively…. genuinely.
I thought about it.
“I spent eight years in a marriage I thought I’d chosen,” I said. “I didn’t understand until I was out of it how much, of it had been arranged around me rather than with me.” I looked at my hands. “I am trying very hard not to find myself in another situation where the shape of my life is decided by forces I’m not fully driving”
“I know,” he said.
“And yet here I am,” I said, “at your family house, looking at peony arrangements, seven days from a wedding I didn’t know about until some hours ago.”
He looked at me.
“I hear that,” he said. “I hear exactly that. And I’m asking you to tell me what would make it yours…. what would make it a decision you made rather than a situation you arrived in…. and I will make sure that’s what it is.”
I sat with that.
The garden was quiet.
The amber light continued its slow departure
“I need to open the Calloway box tonight,” I said. “Before anything is decided.”
“All right.”
“And I need to have the dinner with Ashworth”
“Already arranged….”
“And I need to understand what your father’s name on that transaction means before I walk into a room where he is supposed to celebrate my marriage.”
He was quiet for a moment
“Yes,” he said. “You do.”
I looked at the ring.
At the garden.
At him….
“One week is very fast,” I said.
“I know,” he said. “But if we don’t do this now…..” He paused. Held my gaze with the specific, certain quality of
someone who had looked at this from every direction. “If we don’t do this now, they will make sure we never do it
at all.”
3/4
The garden held the silence
The amber light was almost gone.
I did not say yes.
I did not say no.
I stood up and walked back toward the house.
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Ruby Walker is a rising voice in the world of romance and spicy fiction. With a gift for weaving deep emotions, sizzling chemistry, and unexpected twists, her stories are a blend of passion and drama that captivate readers from start to finish. Ruby’s writing style is bold and irresistible—perfect for those who crave intense, addictive love stories.

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