Chapter 141
Selina’s POV
The car was silent on the way home.
Mason looked at the road. I looked at Mason.
The moment the apartment door closed behind us, I turned
“Why were you in that, corridor?” I said.
“I went to check on her,” he said. His voice was, the level one….. the managed version that he deployed when he anticipated the conversation and had prepared his register in advance.
“You went, to check, on her,” I said.
“She’s been through….”
“Don’t.” I kept my voice even. Not loud…. precise. “Don’t give me the concern framing. I saw your face. I saw where you were standing.” I held his gaze. “I’ve been watching you for years, Mason. I know your face in every configuration. That was not concern”
“It was a difficult night for everyone,” he said.
“She had her hands on him when the ambulance came,” I said. “She’s been beside his room for six hours. She is engaged to another man.” I paused. “Why were you in that corridor?”
He said nothing
Which was its own answer
The silence lasted four seconds.
Then I asked: “How long?”
“How long what?” he said
“How long have you still had feelings for her?”
He turned from the window.
“I don’t….”
“Mason….. I’m asking you directly. I’m not performing a scene. I’m asking because I need to understand
what I’m looking at.”
He held my gaze
“It’s not what you think it is,” he said.
“Tell me what it is.”
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He moved to the sofa.
Sat…..
“She was part of my life for eight years,” he said. “Eight years.
I looked at him.
At the man I had chosen fifteen years ago…. not the arrangement version that he’d had with Maya, but the real version, the choice I had made while watching him from the adjacent room at every dinner and board meeting and occasion where he had looked at Maya with the specific, functional absence of a man who had decided she wasn’t worth looking at.
I had told myself that absence was availability….
“You went to that corridor,” I said, “because she’s lying a room away from a man who took a bullet for her and you couldn’t stay away.”
He said nothing.
“That’s the truth,” I said. “Not the complicated version. The simple one.”
“I wasn’t going to do anything,” he said.
“I know you weren’t,” I said. “She told you to leave. I saw your face when she said it.” I held his gaze. That’s almost worse.”
He stood up
“What do you want me to say?” he said. “You want me to tell you it’s gone? All of it? Eight years of whatever it was and then watching her rebuild and watching Voss step in and…..”
“Yes,” I said. “I want you to tell me it’s gone. Because I am in this apartment. I had your child. I have been beside you for years and before that for eleven and I have.,…” I stopped. Found the sentence that was accurate. “I have given you things she never did. Real things. Things that weren’t arrangements”
He looked at me
“I know that,” he said.
“Then act like it,” I said.
He looked at me…
Then at the baby monitor on the side table.
The green light, steady.
Something in his expression shifted…. not toward me, exactly. Toward the monitor. Toward what it represented.
I’m not going back to her,” he said. Quiet. “I know that. Whatever was tol
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It was…. something I hadn’t finished processing and shouldn’t have brought to a hospital.”
I looked at him
“But you don’t deny it was there,” I said.
He looked at the floor
“No,” he said. “I don’t deny it.”
I sat with that.
The harbour was visible through the glass. The city at night, doing its ordinary thing.
I looked at the baby monitor.
Then I looked at Mason.
At the face I had been studying for years.
It was somewhere else.
Not entirely…. part of it was here, in this room, in the green light of the monitor and the weight of the
conversation.
But part of it was in a hospital corridor…
And I realised, sitting in the apartment at eleven at night with everything we had built around us, that I had been so focused on keeping the external threats at bay…. the investigation, the blackmail, Daniel Cole, the secret that could undo everything, that I had not been paying sufficient attention to the threat that lived in the same building.
Mason stood
“I’m going to bed,” he said.
Not unkindly. Just done.
He walked toward the bedroom.
I watched him go
At the doorway he paused…
Didn’t turn.
“I’m sorry,” he said. The quiet version. The real one. “For tonight….”
Then he went in
The door closed.
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I sat in the sitting room with the harbour and the monitor and the silence.
And I looked at the man I had chosen…. the man I had rearranged my entire life to be beside, even betraying my best friend….. walking through a door.
And I did not recognise the back of him
Not the way I had not recognised him across a hospital corridor.
The way you didn’t recognise something you had believed was yours and were realising, gradually and then all at once, had never fully arrived….
The apartment was very quiet.
I stood in the hallway between the bedroom door and the sitting room….
Then my phone rang
I knew before I looked.
The pattern of the call….. the timing, the number that wasn’t stored but was recognised…. communicated everything before I answered.
Daniel Cole
I picked up.
“I need more,” he said
No preamble. No greeting.
The voice of a man who had decided that the performance of civility was no longer necessary
“We spoke three days ago,” I said. “I transferred what you asked for.”
“Circumstances have changed,” he said.
“That is not my problem,” I said.
“It becomes your problem the moment I make a call,” he said. “Fifteen minutes. One conversation. Everything I have goes to Mason, and to the journalist who’s been building the piece on company irregularities.” He paused. “Fifteen minutes, Selina. After that, the call gets made.”
I said nothing….
“The amount,” he said, and named a figure that made the apartment feel smaller.
“I’ll transfer it tomorrow,” I said
“Tonight,” he said.
“I cannot access that amount tonight….”
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“Then access what you can and transfer the rest by six tomorrow morning.” A pause. “Don’t make me explain what happens if the deadline isn’t met.”
He hung up….
I stood in the hallway with the phone in my hand
The bedroom door was closed.
The baby monitor on the side table glowed its steady green.
I walked to the kitchen
Stood at the counter.
The glass from dinner was still there…. I picked it up and set it down and picked it up again and then I threw it. Not at anything. At the wall beside the window, where it broke in the sharp, clean way of something that had needed breaking.
I stood and looked at the pieces
Then the vase from the counter.
Then the papers from the side table, which didn’t break but scattered in a way that communicated something even if it didn’t produce the same sound.
I stood in the middle of it….
Breathing.
The monitor still green.
The bedroom door still closed….
The city through the window, indifferent
I had been afraid of Daniel Cole for eighteen months
I had paid him. Met him. Complied in ways I was not going to revisit tonight. I had arranged my life around the weight of what he held, building the load-bearing walls of everything else around the knowledge that he could bring it down with a phone call.
And he was going to keep calling.
That was the truth I had been avoiding the way you avoided things that required you to accept a conclusion you weren’t ready for.
He was going to keep calling because there was no version of this arrangement that ended with him satisfied. I had understood this in theory for months. Standing in the kitchen with broken glass on the floor, I understood it in my body in a way that theory hadn’t managed.
He was not going to stop.
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Which meant I had to.
Not the payment. Not the compliance.
Him….
The thought arrived with the cold clarity of something that had been forming for a long time at the edges of my mind and had now moved to the centre.
I looked at the broken glass
At the scattered papers.
At the green light.
I was done being afraid.
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Ruby Walker is a rising voice in the world of romance and spicy fiction. With a gift for weaving deep emotions, sizzling chemistry, and unexpected twists, her stories are a blend of passion and drama that captivate readers from start to finish. Ruby’s writing style is bold and irresistible—perfect for those who crave intense, addictive love stories.

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