His Dangerous Love On Ice (Olivia and Zane) novel Chapter 135

Then Nina spoke.

“That was exceptionally thorough,” she said, genuine appreciation in her voice. “Well done, Miss Monroe.”

I gave her a small smile. “Thank you.”

“Sophia?” Nina prompted. “Your turn.”

Sophia stood, and I couldn’t miss the pointed look she threw my way as she walked to the front.

“While Miss Monroe’s strategy is… adequate,” she began, and I could hear the condescension dripping from that word, “I believe it misses the mark on what truly makes a campaign memorable.”

She clicked her remote, and her slides appeared.

They were beautiful. I had to admit that.

Artistic. Edgy. Dark and sensual in a way that would definitely capture attention.

“I’ve known Zane Mercer my entire life,” Sophia said, and there was something almost possessive in how she said his name. “I understand his brand. His aesthetic. What resonates with his audience.”

She walked through her concepts-art installations that couldn’t be fully understood, campaigns that felt more like gallery exhibits than advertisements.

“Zane doesn’t do simple,” she said, looking directly at me when she said it. “He does complex. Risky. Provocative. Old school meets new school in ways that make people uncomfortable.”

Stephanie nodded enthusiastically from her seat, like Sophia had just delivered the Sermon on the Mount.

“My approach focuses on the artistic merger of human form and technological innovation,” Sophia continued. “We’re not just selling performance enhancement. We’re selling art. Mystery. The kind of campaign people can’t stop talking about because they can’t quite figure it out.”

She showed mock-ups that were admittedly stunning. Moody lighting. Unexpected angles. The kind of aesthetic that would dominate Instagram and TikTok.

“This is what Quantum needs,” Sophia finished. “Not calculations and data points. But something that feels alive. Unpredictable. Dangerous.”

She walked back to her seat with a self-satisfied smile.

Nina looked impressed despite herself.

“Both presentations were exceptional,” she said. “Very different approaches, but each with clear merit.”

Then she turned to Zane, who had remained completely silent through both presentations.

“Mr. Mercer,” she said. “What are your thoughts? This is just the beginning, of course. You’re free to provide feedback now or we can schedule additional strategy sessions to refine the concepts.

The room went quiet.

Everyone waited for Zane to speak.

I watched him, my heart in my throat, as his eyes moved from the projection screen to Sophia, then finally to me.

And when he spoke, his voice was cold. Detached.

Professional.

“Strategy means nothing if you can’t adapt when it fails,” he said.

The words hit me like a slap,

I felt my face flush, my hands clench in my lap.

Was he talking about the campaign? Or about something else?

“You can have the best plan in the world,” Zane continued, his eyes still on me. “The most thorough data. The most calculated approach. The most perfect save me theory. But if you can’t pivot when circumstances change-when people don’t react the way you expected-then your strategy is worthless.”

Silence.

“Miss Mercer’s approach,” he said, finally looking at Sophia, “understands that unpredictability is part of the appeal. That sometimes the best campaigns are the ones that don’t follow the rules.”

Sophia’s face lit up triumphantly.

And something inside me cracked.

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