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The Don Tore Up Our Divorce (Gemma and Cassian) novel Chapter 497

Gideon’s suggestion hangs in the air, deceptively reasonable on the surface. Walking away would be the right choice for him. But the implications are brutal. If Christopher quits now, he’d be hit with a staggering penalty, and his reputationalready fragilewould be shattered. He’d likely never lead a major film again. The thing is, Dream didn’t force him into this contract. He auditioned. He wanted it. And while he’s a nightmare, he didn’t bring funding or demand creative control from the start. To pin the entire project’s problems solely on him feelsdisproportionate. And Gideon, with his serene smile and broken nose, advocating for it so calmly, reveals a layer I didn’t expect. He’s not just a victim; he’s a strategist.

I keep my expression carefully neutral, even gentle. I’ll give Mr. Pierce’s suggestion serious consideration,I say, my voice diplomatically smooth. I believe Christopher has had time to reflect. I’ll speak with him now. Please excuse me.

I walk away, feeling Gideon’s gaze on my back, speculative and sharp. I can almost hear the gears turning. Who is she? Why did they send her?

Back in the hothouse atmosphere of Christopher’s dressmg 09:43

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room, there’s a slight shift. The petulant fury has cooled into a sullen, simmering resentment. He’s thinking. The Oscar bait I dangled is working.

Have you thought it through?I ask, not sitting this time. I remain standing, a posture of business. Do you still want to be an actor?

He glares at me, then his eyes dart away. He grinds his teeth, a physical manifestation of his internal war. His family is wealthy; he doesn’t need this. But the desire is there, raw and real. A

master’s temper is one thing, but the dream is

ds, a jerky, reluctant motion. “Yes. I do.

poiled

nood dream. The confession, stripped of bravado, is able.

you want to continue,I say, my tone leaving no room for gotiation, then you will go out there and apologize. To every member of the crew you’ve insulted. To Gideon. To Callista Royce. A public, sincere apology.

He bristles instantly. Why should I apologize to them?

Because you were wrong,I state, simple and absolute. If you don’t, should I? Is that the precedent you want? That your company cleans up your messes while you hide?I take a step closer. If you want to stay in this industry, you will do as I say. Otherwise, I walk out that door and recommend to Mail thatз

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Dream Entertainment suspend your contract indefinitely. Let’s see how many Oscarcaliber directors call you then.

He knows I’m not bluffing. He saw my rapport with Mikhail at the anniversary event, knows I have a standing he doesn’t fully understand. The threat of being put on ice—career limbois more terrifying to him than any penalty fee. His anger deflates, replaced b n acceptance. SoI just have to apologize?

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from his actual temperament. He’s right. A great actor can transform, but Christopher is not a great actor. He’s a novice playing dressup in a role that requires depth he doesn’t possess. Forcing him to continue as the lead helps no onenot the film, not Beckett, and in the long run, not even Christopher.

I’m going to speak with Beckett,I say, my mind made up. You will be recast in a different role. You need to give up this one.

Christopher stays silent, stewing. But from behind him, a figure I hadn’t even noticeda man of unremarkable height and build, practically camouflaged against the garish sofashoots to his feet.

Why change roles?the man demands, his voice nasal and indignant. Do you have any idea how much networking, how much effort we invested to secure this opportunity for Christopher?

So this is the agent. Nolan Shepard. I look him over, the disdain immediate. A significant portion of Christopher’s unchecked arrogance sits squarely on this man’s shoulders. An enabler, a

yes-man.

Are you Christopher’s agent?I ask, though it’s obvious.

He puffs out his chest. Of course. I’m Nolan Shepard.

Thy name means nothing to me. Before you pushed

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this lead,I say, my tone icy, did you ever stop to consider if he was suitable for it? Or did you just see lead roleand grab it?

Nolan is momentarily speechless, but his arrogance is unshaken. Why would he play a supporting role when he could play the lead?he retorts, as if stating an immutable law.

There’s a logic to it, but only if the actor has the skill to justify the spotlight. Otherwise, it’s a shortcut to public humiliation.

I realize arguing with Nolan is pointless. We speak different languages. I turn back to Christopher, the only vote that matters here. Are you going to listen to him,I ask, my gaze steady, or to me?

Christopher hesitates, torn. Nolan has been with him from the start, always supportive, never pushing him into uncomfortable situationslike acting lessons, for example.

He’s built Christopher’s confidence, telling him he’s a rare gemin a fake industry. To side with me against Nolan is to admit that foundation might be sand.

Seeing his client waver, Nolan turns his ire fully on me. Who do

you think

you are?he sneers, stepping forward. Are you an agent? Have you ever managed an artist? Do you even know the first thing about how this industry works? The company sent you here to put out a fire, not to rearrange our entire strategy!5/7

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His condescension is the final straw. My patience, already stretched thin by Christopher, snaps. I fix him with a cold stare. Who am I? Why don’t you pick up the phone, call your boss at Dream Talent, and ask him?My voice is low, but

it carries a whipcrack of authority. Ask him if he wants to explain to Mikhail Beckinsale why his agent is obstructing the representative Mikhail personally sent to clean up his artist’s mess.

The mention of Mikhail’s name, delivered not as a threat but as a simple fact of the chain of command, acts like a bucket of ice water. Christopher’s eyes widen. The hierarchy becomes blindingly clear: Nolan works for Dream Talent, which answers to Dream Entertainment, which answers to Mikhail. And I am here, directly from Mikhail.

The confusion clears from Christopher’s face. He looks at me, decision made. “Whatwhat kind of role do you want me to switch to?

Let me see the full script,I say.

Nolan scoffs audibly, crossing his arms. He’s sure I’m bluffing, that I’ll be lost in the pages.

I ignore him. I take the bound script from the table and sit in a chair, flipping through it with focused speed. I’m not reading for pleasure; I’m scanning character arcs, motivations, screen time, and dramatic potential. I bypass the lead, the charmin besb9:43

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friend, the wise mentor. My finger stops on a page, tracing the description of a character. Not a hero, not even a major villain.

A secondary antagonistsharp, cynical, with a cruel wit and a clear, if ugly, motivation. The role has fewer scenes but is packed with potent, memorable moments. It’s a character an actor could chew, one that doesn’t require the emotional breadth Christopher lacks, but rather a specific, focused venom he might actually be able to channel.

I look up. This one.

Both Christopher and Nolan lean in to see. The moment Nolan reads the character’s name and description, his face purples with outrage. Are you insane?he splutters. “That’s a villain! A minor one! You want Christopher, a leading man, to play a bitpart antagonist? You are deliberately trying to destroy his career!

He’s shouting now, but I don’t even look at him. My eyes are locked on Christopher, who is staring at the page, his expression unreadable. This is the real test. Does he want to be a movie star, or does he want to learn how to be an actor?

B

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