Chapter 178
Elara
My peripheral vision caught movement in the audience section.
Julian had risen from his seat, his face pale and tight with what
looked like barely controlled fury. He seemed to be moving toward
the competition floor, but Sloane reached out and caught his arm,
leaning in to whisper something in his ear. He hesitated, jaw
clenched so hard I could see the muscle jumping, then slowly sank
back into his seat. But his hands remained fisted on his knees,
knuckles white with tension.
Ethan sat a few rows behind them, his expression unreadable as he
scribbled notes in his ever–present notebook, the professional
observer cataloging every detail of the unfolding drama. His gaze
flicked between me and Sloane with an intensity that made my skin
prickle, though I couldn’t parse what emotion lay behind it.
In the front row of the audience section, I spotted Nora leaning
forward, her face twisted with sympathetic anger and distress, her
hands pressed to her mouth as though physically holding back words
of outrage.
The judges and host conferred in low voices for what felt like an
eternity but was probably only two or three minutes. Finally, the host
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turned back to me, her expression grave but not unkind.
“Miss Vance, we will absolutely launch a full investigation into this
incident, including reviewing all security footage from the holding
room. However, the competition must proceed on schedule. I can
offer you two options: First, you may wait for the investigation to
conclude, after which we will arrange a separate makeup session for
you to compete under fair conditions. Second, you may choose to
continue with the backup materials we keep on hand for emergencies.
If you select the second option, we will add fifteen minutes to your
allotted time to compensate for the delay caused by this situation.
The choice is yours.”
The room fell silent again, everyone waiting for my answer. I looked at the host, then at the judges, then down at my sabotaged supplies, my mind racing through the implications of each option.
If I chose to wait for a makeup session, I would be conceding that this incident had disrupted the fair process–which was true, but it would also mark me as the competitor who ‘caused problems,” the one whose “issues” had created complications for the organizers.
And I had no guarantee they would actually follow through with a makeup session, or that it wouldn’t be scheduled at some inconvenient time when I’d lost my competitive edge. More than that, choosing to wait meant I’d have to go through this entire emotional ordeal again–walking into a room full of skeptical eyes, facing Julian
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and Sloane and Ethan’s scrutiny, enduring the whispered speculation
about whether I deserved to be here..
The second option–using unfamiliar backup materials–was a
massive gamble. I’d spent the entire week training with my own
supplies, building muscle memory for exactly how much pressure to
apply with each brush, exactly how long each color took to dry,
exactly how to blend and layer to achieve the effects I needed.
Switching to completely different materials would be like asking a
concert pianist to perform on an unfamiliar piano with different key
resistance and tonal qualities. My chances of producing work that
matched my capabilities would plummet.
But at least I could compete now. At least I could prove, in this
moment, that I wasn’t looking for excuses or trying to manipulate the
system. At least I wouldn’t have to live with the wondering and
waiting, the corrosive doubt about what might have been.
I thought about the engagement party, about how I’d played the role
of the weak, pathetic victim to escape Sloane’s trap. It had worked-
I’d gotten what I needed–but I’d hated myself for it, hated the taste
of that particular survival strategy. I didn’t want to play that role again. I didn’t want to be the girl who folded under pressure, who needed special accommodations, who couldn’t handle adversity.
I took a deep breath, straightened my spine, and met the host’s eyes. “I’ll use the backup materials and continue with the competition.”
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The decision seemed to surprise her–I saw her eyebrows lift
fractionally–but she nodded with what looked like genuine respect.
“Very well. We’ll have the backup kit brought to you immediately.”
Within minutes, a staff member wheeled over a cart containing the
emergency supply kit.
I examined the materials quickly, my artist’s eye cataloging the
differences. The Gamblin paints were slightly heavier–bodied than
Windsor & Newton, with subtly different drying times and mixing
properties. The nylon brushes, while durable, lacked the fine point
and fluid responsiveness of natural hair.
But they were usable. That was what mattered.
The host raised her voice to address the entire room: “In light of the
time Miss Vance has lost due to this incident, and in consideration of
her need to familiarize herself with replacement materials, we are
extending her time limit by fifteen minutes. She will have three hours
and fifteen minutes to complete her work. Now, all competitors,
please prepare yourselves. We will begin the prompt selection
momentarily.”
Everything would have to be adjusted–my pressure, my blending
technique, my layering strategy, the timing of when I added details. It
was like being asked to paint with my non–dominant hand.
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But I had no choice. And maybe, I thought with a flash of bitter
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