Chapter 141
Julian
“That’s not–I would never-
“1
“Don’t.” The word came out sharp enough to cut. “I’m not stupid,
Victoria. I know exactly what you two were doing. What I want to
know is why you thought it was a good idea to waste my time with
manufactured emergencies when you should be focused on not
becoming a family embarrassment.”
Tears welled in Victoria’s eyes, but these looked genuine–tears of
shame and fear rather than manipulation. “I was just trying to help
Sloane. She’s worried about Elara. We all are. That girl is-”
“That girl,” I interrupted, my voice dropping to something dangerous,
“is none of your concern. Your concern is passing your classes and not
making our family look like a joke. If you fail your midterms, if
Harvard rejects you, you won’t be able to blame Elara or anyone else.
It’ll be on you,”
I set my glass down with enough force to make Victoria flinch. “Now
get out. Go study. And tell Sloane that the next time she needs
something, she should tell me the truth instead of performing for an
audience.”
Chapter 141
Victoria fled.
I stood alone in my office, my reflection staring back at me from the
darkened window. Outside, rain lashed against the glass, distorting
the lights of the estate grounds into abstract blurs. I looked like a
stranger to myself–jaw tight, eyes hard, shoulders rigid with tension
I couldn’t release.
I’d left Elara on a street corner for this. For Sloane’s performance and
Victoria’s games.
My phone buzzed. Atlas, with a folder of social media posts about
Elara’s street art booth. I opened it with a sense of dread, expecting
more ammunition for why I’d been right to pull her away from
Brooklyn Flea.
Instead, I found dozens of posts from satisfied customers, amateur
photographers, art students. Photos of Elara bent over her sketchpad,
completely absorbed in her work, her face more peaceful than I’d seen
it in months. Videos of children’s faces lighting up when they saw
their portraits. Comments praising her talent, her patience, her
kindness.
One post in particular made me stop scrolling. It was a black–and-
white photograph, artistically composed–Elara sitting in the rain
under a torn plastic tarp, water dripping from her hair onto her
shoulders, her hand moving across the paper with focused intensity.
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The caption read: “Brooklyn Flea. October rain. A young artist at
work. #StreetPhotography #Brooklyn #ArtistLife”
She looked free.
That was the word that came to me, unbidden and unwelcome. Free in
a way she never looked at Blackwood Estate, never looked in my
presence, never looked when she was trying to be what everyone
expected her to be. She looked like herself–raw and real and wholly
present in the moment.
I saved the photo to my camera roll before I could think better of it.
Then I saved three more. Then all of them.
I leaned back in my chair, closing my eyes against the headache building behind my temples. Today, when I’d gotten the alert about Elara’s social media presence, my first instinct hadn’t been to protect the family reputation. It had been something else entirely- something possessive and irrational that I didn’t want to examine too
closely.
I’d seen those photos of her smiling at strangers, making them happy with her art, and something in my chest had twisted violently. Why did she look like that for them? Why did she give those tourists and art students the soft smiles and gentle attention she used to give me? Why did she look so content in that shabby corner by the bathrooms when she’d always looked miserable at Blackwood?
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The answer was obvious, and I hated it: she was free there. Free of
me, free of the family, free of the weight of expectations and
obligations and the constant reminder that she didn’t belong.
I’d gone to Brooklyn Flea to bring her back. To remind her that she
couldn’t just walk away, that she was still connected to the Vane
family whether she liked it or not. I’d told myself it was about
reputation, about responsibility, about protecting her from herself.
But the truth–the truth I could barely admit even now–was that I’d
been terrified. Terrified of seeing her build a life that didn’t need me,
didn’t include me, didn’t leave any space for me at all.
I opened my eyes and stared at my phone. My message thread with
Elara showed our last exchange from days ago–me sending her the
investigation files about Lucy, her not responding. I started typing
before I could stop myself.
“Did you get home safe?”
Simple. Normal. The kind of thing anyone would ask after dropping
someone off in an unfamiliar area.
I hit send.
The message failed immediately. Red text appeared beneath it:
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“Message failed to send. Not Delivered.”
My blood went cold. I backed out and tried to open Elara’s contact
information.
“You cannot send messages to this contact.”
She’d blocked me.
I tried calling. “The number you have dialed is not available.”
She’d blocked my number entirely.
I stared at my phone screen, my pulse pounding in my ears. Elara had
never–in three years of living under the same roof, in all the fights
and misunderstandings and moments of tension–she had never cut
me off completely. She’d always been there, waiting, hoping, reaching out even when I pushed her away.
But now she was gone.
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